Rescue Rooms, Nottingham, 10/11/22. The screen shows a young boy with a sign in his hands: “Let Moms Go”. For many, 2012 seems a lifetime ago, but the last ten years are as vivid as ever for Maria “Masha” Alyokhina, a founding member of Russian pop-punk protest group, Pussy Riot. At Nottingham Rescue Rooms on Thursday 10 November, the group forwent the traditional “concert” in favour of a performance-poetry experience, titled Riot Days.

Over the course of an hour, Masha, along with her compatriots Taso Pletner, Olga Borisova and Diana Burkot, deliver bruising political commentary set to a cacophony of techno-punk in a harrowing memoir of the events surrounding her arrest for her part in the band’s “Punk Prayer” in Moscow’s Christ the Saviour Cathedral in 2012.

A short but spitting criticism of then-Prime Minister (now President) Vladimir Putin and troubling support for him from the Russian Orthodox Church was instead condemned as "hooliganism motivated by religious hatred". Alyokhina and two of her fellow bandmates were disproportionately sentenced to two-years imprisonment in a penal colony; a move described by the now-imprisoned opposition leader, Aleksei Navalny, as “Putin's personal revenge”.

The girls were released shortly before the end of their sentence in what is believed to have been an act of propaganda to paint Putin in a generous light prior to the Sochi Winter Olympics. However, in the nine years since, Masha has been less than free. Fiercely engaged in a cat-and-mouse game with the Russian authorities and refusing to dim her rebellious spark in favour of liberty, Alyokhina has been detained, assaulted, detained again, placed under house arrest, sentenced multiple times to 15 days in jail, placed on parole, arrested, re-arrested, and finally sentenced yet again to time in a penal colony for protesting “Putin’s Russia”. Finally, in April 2022, with the help of friends at home and abroad, she crossed the border out of the country and fled.

This November, she was in Nottingham.

(Maria “Masha” Alyokhina recalls the “Punk Prayer” in Moscow Cathedral. Subtitles on the screen read: Virgin Mary, Mother of God, banish Putin! Banish Putin, banish Putin!).

The famous words of the “Punk Prayer” – “Virgin Mary, Mother of God, banish Putin!” – appear on the screen. The girls scream their Russian equivalent into the microphone, their faces stony and haunted. Other refrains, some serious, some sarcastic – “Putin will teach you to love the Motherland”, “We’re Not Doing Things Right” and “Anyone can be Pussy Riot” – are repeated viciously with mesmerising effect. Far from giving up on her motherland, Alyokhina’s flight from Russia has given her an outside opportunity to save it. She criticises not her country, her home, but Putin’s poisonous politics, and dreams of the day that Russia will be freed from his clutches.

Kate Hutchinson for The Observer called it “engaging” and “experimental”. More than that, the performance is unexpected, unafraid, and utterly unignorable.

Even when the performers begin to throw bottle after bottle of water on the front rows, the crowd is transfixed. Alyokhina’s vulnerability is not only confession and criticism, but a call to arms. Her impassioned condemnation of the invasion (or so-called “special military operation”) in Ukraine is followed by a call for the end of indifference, and an opportunity to financially support a Ukrainian children’s hospital.

No matter what happens next – whether Masha remains abroad or risks a return to Russia – this performance leaves no doubt that, whether in chains or on stage, this is a woman who, by her own fierce independence and her refusal to resign her moral code, is free. Her last words, “Are you?”, pose a challenge to us all.

For Alyokhina and her band mates, these are the Riot Days. In the face of instability, injustice and invasion, ignorance is inexcusable.