This Summer (2023), Banksy's first official exhibition in 14 years opened in Glasgow's GoMA. Just about as elusive as Banksy himself, the Cut and Run exhibition was truly enigmatic, forbidding any public photography. Fortunate enough to get her hands on tickets, Emma Burnett recounts her experience of possibly the most intimate exploration of the legendary Banksy ever seen before.

Across social media, Americans living in the southern states are giving a taste of their fall décor. However, this is completely at odds with the weather in the places they live, consisting of orange leaves and pumpkins. Is there a reason for this cultural difference, or is it just something we must accept about the American experience?

A look at Sweden’s contemporary cultural industry and how AI plans to augment and reimagination some of Sweden's most famous film's. Exploring what Gothenburg Film Festival's digitalized debut mean for the future of the film industry. Is it an exciting experimental shift in cinema, or will Artificial Intelligence be used to undercut the authenticity so intimately undergirding art house cinema?

A review of one of the best made French films I've seen. Athena (2022) is a masterpiece.

In honour of the 2023 Oscars on Sunday evening, 12th March, Holly takes us on a brief tour of international film as seen on the Oscars corner of the big screen.

Francesca offers a cultural analysis of the 'Scandinavian Capsule Wardrobe' and how it acts as a fissure in the foundations of Fast-Fashion